Embroidering in the Hoop-it-all

Couple of folks have expressed interest in how I did the Rose of Tralee sash in the Hoop-it-all so here goes.

Here is the digitized front sash. I used Bernina Designer Plus Version 5. (You can read my opinion about this software here…it is near the bottom of the post.) In the center, running left to right, there is a black line. This is a line of long stitches I added to mark the long center of the design, a center that would not change when I split the design. There are also 3 red crosses: 1 after the flower, 1 on the bottom of the “g”, and 1 above the “r” in “Tralee.” These reference stitches were digitized to stitch out first.
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Below you can see the crosses more clearly and a bit of the stitches for the applique process.
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The important thing to remember about the HIA is that although it affords you a larger stitching field, the embroidery machine is still only able to compute in its own sewing fields, the largest being the mega hoop. But, in order to use the HIA, you cannot use the mega hoop because mega hoop designs are automatically split and as that stitch out progresses you are asked to move the mega hoop to different positions that the machine recognizes because of the construction of the mega hoop, something you cannot do with the HIA. So, I used the large oval hoop as a reference to split the design for the HIA.

Here is a pic of the entire front sash as I begin splitting .
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The HIA Super Giant-long hoop has a vertical sewing field of about 21 inches… this front sash was a bit over that, so first I stitched out the flower in the oval hoop and then began using the HIA. In order to split this design into separate files, I copy what I need out of the original full front sash file and create new files, 4 in all for this front sash. Here’s the flower with 1 red reference cross and a shortened black center reference line. This black line works in 2 ways: 1) all the split parts of the design are centered on the same line so that I can line up the parts in the oval hoop manually on the center line of the grid; and 2) before I lay my fabric down on the HIA sticky stabilizer when I begin the rest of the sash, I run this line without thread so it punches holes in the sticky stabilizer for a reference line that I can align my marked fabric with. This line is not stitched out onto the fabric.
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After the flower was finished, I attached the sticky stabilizer to the HIA, opened the next design (the beginning of the words), tightened the hoop into the correct placement on my machine, and punched the black and red reference lines in the stabilizer by, again, running the machine with no thread. Then, I lined up the center of the fabric (that already has the flower) and the first red cross that was stitched out (in white thread onto the flower portion) with the lines punched into the stabilizer. You can see the red cross in the pic above and then vaguely in the pic below centered on the broken blue center line at the top of the hoop above the “R.” I then centered the rest of the fabric onto the center line of the stabilizer (which matched the center lines of the design files), threaded the machine and off I went.
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The stitch out above includes another red reference cross which sits in the crook of the bottom of the “g.” (Cannot really see it here.) This was stitched out in white onto the fabric in the design above so that when I was moving the hoop to the new position for the next design, I could line up my designs by using the cross as reference points for my needle. I do this by advancing the stitches on the Bernina computer screen to find the appropriate stitch, and then move the HIA until the needle pierces a corresponding needle-point. Then I tighten the HIA into place, and the next portion begins. Sometimes I did use the knob on the machine that shifts the design in the hoop by tiny increments to get it lined up horizontally.
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I repeated the process for the back of the sash, though it was more involved because of the overlaps. I still used the reference lines, but this one involved more movement up and down of the hoop. The parts of this design were numbered from left to right as follows: 4,1,5,2,6,3,7. We did decide finally that the back sash would only include the first 5 parts so I numbered these as 3,1,4,2,5. This all fit in the hoop. But there was another challenge…this design stitched out by moving the hoop down then up then down two then up 1…damn. So, here is what I did- I attached the fabric onto the sticky stabilizer and then stitched out the reference line & crosses (in white) as follows: 1) the short, straight black line at the far left which marked the top of the design and the first red cross; 2) then I opened each design in the finished order you see below so I could line up the first cross to then stitch out the second cross. When I was done, I had the reference crosses stitched out in the appropriate places on the fabric. Then I started over and began stitching out the actual designs, beginning with designs 1 and 2 which were the green vines and then 3, 4, & 5 which were the flowers. And it was so easy because everything was already lined up!
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I hope this was clear. If not, please ask questions. It is good for me to have to articulate this.

2 Comments (+add yours?)

  1. picperfic
    Jun 12, 2007 @ 13:52:00

    hmm..questions eh? Just how did you get so clever at this embroidery lark? Those stitches are so perfect, I know the machine does the fine detail but you are the one doing the clever programming! Stunning…I’d love a panel to sew into one of my bags….

  2. Trackback: Embroidery placement « Taoknitter

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